These can be used to smooth the sound or remove more of the sonic artifacts introduced into the signal path by the modelling process.

Here to increase number of ways in which the sound can be treated.ĭecimort is also equipped with analogue-like filters with adjustable resonance that allow further sculpting of the signal. Two quantization methods – Two available quantization methods the mid-raiser and mid-tread decimation algorithms, each of them characterized by a drastically different dynamics response.Ĭontrollable dithering – Conceptually developed as means to reduce audible quantization errors by masking the harmonic distortions they cause. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled.Īdjustable Jitter – Introducing short-period, random fluctuations to the resampling frequency producing different type of harmonic distortion. Two optional anti-alias filters – A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. It provides far more advanced features like: A further very steep low-pass filter, synchronised to the signal frequency, can be applied at the end of the signal path to absolutely ensure that no unwanted out-of-band signals remain.ĭecimort offers not only bit resolution and sampling frequency to tweak. Undesired artifacts are not present in the processed signal. The only aliasing effect present in the system is the modelled aliasing of the classic samplers d16 modelled when creating it. The complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter. It also acts as the perfect bit crusher with filter. This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used.ĭecimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it.

They added a “grit” and “colour” to the samples and loops they played back which made them sound “Fat” and sit well in a mix. Electronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and E-MU units) had a character and sound of their own.

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